1/26/2024 0 Comments The waiting tom petty lyricsWas the second opening we wrote, the softer and more plaintive "My Name is William" being the first. I’m not the only writer who will tell you that the opening number is often the hardest thing to crack. But none of this would work without the presence of a strong narrative that feels as urgent and larger than life as Springsteen’s songs do. The Roy Bittan-esque piano motif that sets the song in motion the acoustic guitar that arpeggiates the motif halfway through the first verse, as in Springsteen’s classic anthem, Growing Up the organ glisses and stings the heavy rhythmic acoustic strumming the soaring strings and big drum fills. On a personal level, as I waited through the pandemic for live theatre to return, hearing these first two guitar chords in the theatre was something to wish for and look forward to. I wanted this song to embody the propulsive, galvanizing, soaring, stirring, life-affirming, soul-shaking, rocking and rolling textures that you feel when Bruce Springsteen steps to the front of the stage and announces his arrival with his guitar. It’s even written as the tempo marking on the sheet music. What follows is a bit more insight into the process and all the details that make the Almost Famous Cast Recording one of my favorites.Ĭasey Likes and the Company of Almost Famous Matthew Murphy Riesett, Roy Hendrickson, Lia Vollack, Scott Farthing, and everyone who worked tirelessly to make this album the sonic experience that it is. This would have been impossible without the brilliance of the actors and musicians as well as Scott M. Listening to our newly released cast recording, I can proudly say that for me, the songs are doing exactly that. That meant investigating every note, every word, every instrument, every gesture with the greatest of care and creativity so that each song was speaking directly from my heart. In adapting Almost Famous, I wanted to make my contributions to his story as personal as Cameron’s. In the almost six years that have followed, Cameron has become not only a cherished collaborator, but family as well. So, when I got the opportunity to meet Cameron and pitch myself to collaborate with him on a musical adaptation of Almost Famous, I can honestly say it was the conversation I had been waiting to have my entire life. The humanity and poetry at the center of his stories were life-changing and pointed me towards the person I wanted to be. And as I lived through my own adolescent/young adult dramas, I was grateful to have Say Anything, Singles, Jerry Maguire, Vanilla Sky, Elizabethtown, and, of course, Almost Famous to help me find my way. Cameron’s influence on me began at the age of 9, when my older siblings allowed me to watch Fast Times at Ridgemont High with them, unbeknownst to my parents in the other room. Not literally of course, but his movies were as much a part of my education as math, science, and history. In this track-by-track breakdown of the cast recording, Kitt offers a peek behind the curtain at the creation of the musical, and the ways in which classic rock is interwoven both directly and indirectly through the period piece. The musical features Kitt-penned arrangements and orchestrations, and vocal design is by AnnMarie Milazzo. Based on the 2000 Oscar-winning film by Crowe, the musical follows a 15-year-old aspiring music journalist who Rolling Stone hires to go on tour with an up-and-coming rock band, Stillwater. Almost Famoushas released its original Broadway cast recording, and that's something to sing about! Released April 21, the cast recording features 24 tracks ranging from classic rock covers to original tunes, including the raucous final bow version of "Fever Dog" performed by the entire company.įeaturing a book and lyrics by Cameron Crowe and music and lyrics by Tony and Pulitzer winner Tom Kitt ( Next to Normal), Almost Famous made its Broadway premiere earlier this season, opening at the Bernard B.
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